México

Perhaps, issues regarding the diversity of development and human rights would seem appealing to the new generations if we were able to picture culture as something more than just a Google commercial portfolio, five or six publishing houses and two or three record companies interrupted by the presence of underground videos on YouTube. Perhaps, the words culture, communication, and human rights are reinventing their sense of expression in other constructions of meaning whose power depends on what happens with the intellectual rights of creators and the connective rights of audiences.