London

Los temas abordados en este capítulo son las atmósferas culturales de fin de siglo: el desorden comunicacional y las aventuras del arte en el nuevo régimen de la tecnicidad y la visualidad. El debate propuesto por el autor pasa por las contradicciones de una modernidad fuertemente cargada de componentes premodernos pero que se hace experiencia colectiva de las mayorías generando hibridaciones entre categorías incapaces de dar cuenta hoy del ambiguo y complejo movimiento que dinamiza el campo cultural en las sociedades actuales.

USA

This project compares rebel media use in three Mesoamerican rebellions: the Nicaraguan Revolution, the Salvadoran civil war, and the Zapatista uprising in Chiapas, Mexico. The three conflicts were waged under similar conditions over a twenty-year period, but with notably different types of media from which the rebels could choose as the primary focus of their communication strategy.

GB

This book analyzes the conflicting roles that global, regional, and local forces play in the shaping of media systems, policies, and industries in Latin America. These forces have developed what is called a captured liberal model, which is used as a theoretical concept to explain the communication policies, the configuration of media systems, the realities of journalism or the contexts of cultural industries in the region.

GB

This chapter proposes a series of compared criteria toward the definition of a general model of the actual Latin American media system. The model is anchored in the Weberian ideal types and lacks normative aspirations about the roles media must play in Latin American public and political life.

GB

For the past two centuries various influences have decidedly shaped the changing relations between Mexico's private news media and the equally mutable state. Local forces and actors; the inevitable impact of global stimuli such as commercialism; and the absence, obsolescence, or non-enforcement of media regulation have profundly shaped Mexico's news media and journalism. Throughout this chapter, it is evident that a hybrid media system and a resulting post-authoritarian journalistic culture are in place.